It was just over a year ago when Anti-Flag last visited us at the MTelus in Montreal. It was a particularly memorable show for two reasons. One, it was my first time photographing a show in almost two years due to 'The Plague', and two, an event took place that the members of Anti-Flag also remembered. Due to COVID related restrictions at the time, there was to be no dancing or movement at all during these kind of events. As I entered the MTelus that night, I immediately noticed all of the chairs that were lining the floor. The chairs survived the first couple of notes of the first song Anti-Flag played that night before the frustration of almost two years of people being locked down erupted into a mass of humanity surging towards the stage. On this night, they referred to it as The Great Disappearance. One moment there
were chairs, the next moment, they were gone. That got a chuckle out of the crowd, but you don't go to an Anti-Flag show for a chuckle. You go to an Anti-Flag show to rock out, and that's what the sold out crowd did. From the pit, we were dodging feet and flailing body parts from the crowd surfers while also try to catch the moment when a band member would leap into the air or seemingly float across the stage. Their most recent album was released in 2020, but with a new album due in 2023, Lies They Tell Our Children, you can probably bet that they will be back soon than later. The first photograph was taken at f/3.2, 1/320sec, ISO 4000 at 24mm and the second photograph was taken at f/3.2, 1/250sec, ISO 4000 at 24mm. Here are several more photographs of their performance.
Tuesday, 22 November 2022
Anti-Flag At MTelus
Vulgaire Machins At MTelus
One of the biggest names in the Quebec punk rock scene took the stage this past Saturday as part of a double headliner show that packed the MTelus in Montreal. Vulgaire Machins, formed in the mid 1990s and released seven albums before taking a break back in 2012 after a successful Quebec wide tour. A little more than a decade later, they are back with a brand new album, Disruptions, that was released a few weeks ago in October. The return also included a co-headlining tour with Anti-Flag that saw them close out the night here in Montreal. I hadn't seen them live before this night, but they crowd in attendance was more than happy to see the return of their conquering home town heroes. The first photograph was taken at f/3.2, 1/1250sec, ISO 4000 at 35mm. Here are several more photographs that I took of their performance.
Wednesday, 16 November 2022
Steel Panther At Théâtre Corona
It was Elton John who said that Saturday night is alright for fighting. But, there are no need for fisticuffs when Steel Panther rolls in to town. It only means one thing. That a wild, and very un-PG party is about to take place. Steel Panther's rise to the top was rather remarkable. I first remember seeing them as a band who would play tunes on the side during Comedy Central roasts. A name change and the release of their hit single 'Death To All But Metal' changed everything for them. Don't let the presentation fool you. They may dress up like a band that never outgrew the 80's, but these guys can play. Lead guitarist Satchel is probably one of the most underrated guitarist out there and singer Michael Starr has a way to making several of the words that George Carlin once said would never appear on television, sound downright friendly and
fun on a record. Steel Panther were at the Théâtre Corona to make up dates that were delayed due to 'The Plague' a few years back. They were touring in support of what was their most recent album at the time, Heavy Metal Rules, but now they also have another new album, On The Prowl, which will be released in February of 2023. I've already pre-ordered my copy because we've been lacking in fun for the last few years and that is one thing that is guaranteed with every one of their albums. Lots of great music and lyrics that are witty, humorous and probably not something you'd play at a family gathering, but sound great blasting out of the speakers of your car. The first photograph was taken at f/3.2, 1/160sec, ISO 4000 at 24mm and the second photograph was taken at f/3.2, 1/125sec, ISO 4000 at 24mm. Here are several more photographs that I took of their performance.